Canoga
Vintage Simplicity
Sometimes simple wins. Ten years ago Strymon CEO and analog engineer Gregg Stock built a few custom fuzzes in an afternoon as a way of clearing his head, and they’ve been gathering dust on a shelf ever since. Unearthed seven years later when we needed a fuzz to pair with our UltraViolet vibe, that rediscovery became the catalyst for the creation of our new Series A line of all-analog pedals.
Now we’re pleased to announce the arrival of Canoga, a tweaked version of a vintage silicon FuzzFace® based upon one of Gregg’s original three fuzz designs. Full up it works as a fuzz or distortion, but if you back the guitar’s volume down there’s a world of varied tones on tap for all different styles of music.
More Images
Canoga
Vintage Simplicity
Sometimes simple wins. Ten years ago Strymon CEO and analog engineer Gregg Stock built a few custom fuzzes in an afternoon as a way of clearing his head, and they’ve been gathering dust on a shelf ever since. Unearthed seven years later when we needed a fuzz to pair with our UltraViolet vibe, that rediscovery became the catalyst for the creation of our new Series A line of all-analog pedals.
Now we’re pleased to announce the arrival of Canoga, a tweaked version of a vintage silicon FuzzFace® based upon one of Gregg’s original three fuzz designs. Full up it works as a fuzz or distortion, but if you back the guitar’s volume down there’s a world of varied tones on tap for all different styles of music.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Vintage Simplicity
Sometimes simple wins. Ten years ago Strymon CEO and analog engineer Gregg Stock built a few custom fuzzes in an afternoon as a way of clearing his head, and they’ve been gathering dust on a shelf ever since. Unearthed seven years later when we needed a fuzz to pair with our UltraViolet vibe, that rediscovery became the catalyst for the creation of our new Series A line of all-analog pedals.
Now we’re pleased to announce the arrival of Canoga, a tweaked version of a vintage silicon FuzzFace® based upon one of Gregg’s original three fuzz designs. Full up it works as a fuzz or distortion, but if you back the guitar’s volume down there’s a world of varied tones on tap for all different styles of music.
